TITLE: Attachment

One of our earliest developmental experiences is separation from our mothers, shaping a lifelong craving for possession and attachment. In the image, the subject is partially hidden by fabric, surrendering to her attachments and losing her sense of identity. The monochromatic tones heighten this tension and texture, emphasising the materiality of the objects we cling to. She grasps the middle-toned fabric, seeking safety - a response linked to the “Centre Stage Effect.” The work reflects on human behaviour: our addictions, choices, and how we often prioritise comfort over confronting fear.

AUTHOR: Dulcie May (Australia)

From a young age, I was drawn to grey lead pencil drawing and as an adult, I found my creative voice with photography. My work reflects my personal journey as a woman - both physically and emotionally, through an intimate, contemplative approach. I am drawn to figurative, abstract, and narrative-driven pieces that explore identity, femininity, and human connection.

Born in Australia with Dutch heritage, I grew up with little connection to my extended family in Holland. It wasn’t until my early twenties that I met a relative who is a sculpture artist. Discovering the artistic thread in my family and the uncanny similarities between us - deepened my drive to express my own figurative style.