TITLE: Guerreiras

Some forms of labor resist modernization. Bent under excess, these machines keep going — turning corners, climbing hills, carrying more than they were ever designed to hold.

They operate as provisional systems under pressure: unstable, overloaded, yet somehow sustained through repetition, improvisation, and movement.

I photographed these vehicles from inside a moving car, during the brief intervals the city produces but rarely records. In the end, what remains is a simple measure: what can still be sustained.

AUTHOR: Sergio Fadul (Brazil)

For over 15 years, I worked as an art director in advertising agencies, closely collaborating with some of Brazil’s most prominent photographers. This experience — combined with the books that have accompanied me since I first developed a deep aesthetic and conceptual interest in photography, especially the works of Sebastião Salgado and Ansel Adams — shaped the way I see. Over more than three decades of photographing, I shared my work only within a small circle. Even so, each image remained, for me, as a trace of moments that left a mark — fragments of time held in stories written through shadow and light. Now, I choose to share them with those who also see photography as a way of preserving what time insists on taking away. Since August 19, 2025 — International Photography Day — I began sharing this work publicly.