TITLE: shadowshadow

Если можно считать тень оставленную собой следом оставленным после себя, то пусть это будет моя тень.

AUTHOR: Lenar Karim (Russian Federation)

Lenar Karim (Lenar Karimov, born 1982) is a photographer specializing in emotional intellectual portraiture at the intersection of fashion, documentary, and reportage photography. Born in Naberezhnye Chelny, he studied civil engineering at Kazan State University of Architecture and Construction, working in that field for years before fully embracing photography as his primary mode of expression in 2015. He considers Peter Lindbergh and Steve McCurry his inner mentors, whose sensitive approach to the human subject shaped his visual language.
In 2019, Lenar received an invitation from Russia’s major publisher AST (Elena Shubina’s editorial team) to create portraits of renowned Russian writers—laureates of the Big Book and Yasnaya Polyana awards—solidifying his reputation as a photographer attuned to literary and intellectual circles. His works have appeared in international publications and online galleries: ICONIC Artists Magazine, Italian PhotoVogue, as well as magazines from Canada, the Netherlands, the USA, Greece, Spain, Brazil, and Russia; notable portraits include those of writer Guzel Yakhina and journalist Ekaterina Gordeeva.
His first solo exhibition, “Document,” took place in 2023 at the Gallery of Contemporary Art at the State Museum of Fine Arts of the Republic of Tatarstan, exploring portraiture as a means to capture an era and a person’s inner state. The second, a multimedia project “Mountains,” was held at the exhibition hall of the N.I. Fechin Kazan Art School, expanding his practice into video and sound, with select works adorning private spaces and restaurant interiors.
Lenar previously served as a lecturer in “Photoproduction” at the School of Creative Industries based at the Kazan Art School, and taught “Photography” at the St. Petersburg Television School, sharing insights on classical portraiture and fashion aesthetics. He conducts open lectures and workshops on fashion photography and documentary portraiture, steadily building a community of thoughtful viewers and emerging artists.
His artistic manifesto is simple yet profound: to preserve the faces of his era, weaving documentary reality into meticulously composed art. In this pursuit, Lenar directs the frame while leaving room for authentic emotion, favoring melancholy as a state of prolonged reflection on time, humanity, and personal stories.