TITLE: Interspace

Architecture, so it is thought, is a clear matter: The wall limits the space and creates an inside and an outside. Nothing can be in-between! Or so it seems, but we often forget, that architecture just frequently subsists on the effect of an in-between state, an ambivalent spatial impression and an ambiguous relation. For example holes are arising, obviously connecting the inside with the outside. Doors, windows, even balconies, loggias and arcades are deforming the shell, generating equivocal spatial relationships.

It’s the same with the viewing of a picture: Sometimes it is just the interspace, which attracts the attention of our eyes in a picture and gives the visible content a certain magic. This could be the space between inside and outside, above and below, or between subject and object, between two or more individuals respectively two or more items. Here again the space in-between (= in the middle of both) becomes a tiny grain of salt, which makes the dinner enjoyable at all.

AUTHOR: Georg Worecki (Germany)

Georg Worecki was born 1961 in Düsseldorf/Germany. After studying history of art & architecture, german language & literature, he was trained as a director. Since 1999 he is working as a freelance photographer.
"To trace the immediacy of strangeness, the spell of otherness, to visualize the unexpected, is an act of deliverance from the noise of the daily grind. Essentially I make the attempt to project the secret of life onto a screen."